--> Skip to main content

Posts

Announcement: The Irish Studies & Cultural Theory Summer School

"A Sense of Place", Vienna, 14 - 18 July 2025 Registration is now open for an ECTS-accredited week of lectures, seminars, and screenings with internationally renowned Irish studies and cultural theory scholars at the Vienna Centre for Irish Studies! Aspects such as cultural memory, the cultural partition of the Republic of Ireland and Northern Ireland, semantic spaces and borderlines analyzed by Juri Lotman, Mikhail Bakhtin’s Chronotope, epic landscape and the (post)modern cityscape; (what belongs in) the literary canon, rhetorical topoi or commonplaces, sustainability studies, postcolonialism and belonging, history, politics, etc., will be addressed by the invited speakers of the Irish Studies and Cultural Theory Summer School. For more information on registration, fee, etc., see below.
Recent posts

UPDATE: DACH Open Topic Summer Workshop 2025

Our summer workshop this year will be another open-topic event, where members can present their current research projects. This half-day virtual workshop will take place via Zoom on Friday, 27 June 2025 . Next to new project presentations, this event will feature a panel discussion with Nina Engelhardt (Stuttgart/Klagenfurt) and Marlena Tronicke (Münster/Köln), who will share their experiences of finishing a Habilitation in (Neo-)Victorian Studies in the DACH region. There will also be occasions for informal socialising. Our winter workshop will be hosted by Julia Ditter and Anne Korfmacher on the topic of "Literature and Medicine". Please also save the date, 5 December 2025 , for this event. A CFP will go out in the summer. We are very pleased to circulate the final programme for this workshop (see below). We hope to see lots of you virtually at these events, and we look forward to continuing our conversations and collaborations across the DACH region this year!

UPDATE: Sixth Digital DACH Victorianists Workshop - Ageing, Progress, and Decline, 06 December 2024

+++UPDATE: Registration is now open on Eventbrite . You can also register by emailing the organiser Dr James Aaron Green .+++ By the end of the Victorian era, the ‘decline narrative’ of ageing (Gullette) seemed firmly established in the zeitgeist, whether in fictional accounts that used the aged figure to personify an exhausted century or in the political usage of younger persons as the symbolic vehicle for progress and futurity. But other instances paint a more complex picture: aged characters rejuvenated by ‘youthful’ love plots; medical accounts that emphasise post-menopausal women’s gains in strength and energy; and social commentaries that view the reproductive capacity of youth as a source of national decline rather than salvation. This one-day workshop aims to explore what is gained for Victorian studies by bringing together topics of age and ageing with those of progress and decline. It is especially interested in cases that ‘write against’ the truisms of old-age loss...

Call for Contributions: Textures in Nineteenth-Century Material and Literary Cultures

Dear colleagues, Today, a brief announcement on our own behalf: together with my colleague and fellow DACH Victorianist Anja Hartl, I (Ariane) am co-editing a collection on Textures in Nineteenth-Century Material and Literary Cultures . The volume is under contract for publication in the series 'Studies in the Long Nineteenth Century' (series editor: Pamela Gilbert) at SUNY Press. The book offers a systematic and interdisciplinary exploration of textures in British nineteenth-century material and literary cultures. It introduces texture as an analytical category and critically productive terminology in the field of (new) materialist and literary studies and shows how textural methodologies can reveal the intricate and complex layering of texts and objects in the long nineteenth century. We are currently seeking additional contributions for the following three sections of the volume: I: Literary Culture: Poetics and Aesthetics II: Material Culture: Skin and ...

Victorian Study Day, 28 June, Hildesheim

Our fellow DACH Victorianists Josephine Knorn and Stefani Brusberg-Kiermeier from Hildesheim would like to cordially invite you to the Victorian Study Day at the Bühler-Campus of Hildesheim University on Friday 28th June 2024 from 10.30-16.30 hrs. Confirmed keynote speakers are Sally Shuttleworth ("Invalid Literature: Robert Louis Stevenson, Sexuality and The Strange Case of Dr Jekyll and Mr Hyde") and Andrew Mangham ("'With No Language but a Cry': Arthur Hallam’s Apoplexy and Tennyson’s Elegy"). If you are interested in taking part, please contact Josephine Knorn . There is no fee. Do let us know asap if you need help in finding accommodation. We look forward to seeing you in Hildesheim!

UPDATE: Our Book of Abstracts - Fifth Digital DACH Victorianists Workshop: Victorian Affects, 08 December

+++UPDATE: You can now find our Book of Abstract for the upcoming workshop here .+++ With its burgeoning interest in materialism, physiology, and the body, Victorian culture can be seen as anticipating contemporary critical formulations of the affect concept. Modern affect theory, in turn, has developed an analytical language and a conceptual toolkit which provide, in Elisha Cohn’s words, a “provocative critical vocabulary and approach for Victorian studies.” Whereas the “affective turn” has prompted research in various fields within the humanities and social sciences, Victorianists have only recently begun to explore the potential of affect for the study of nineteenth-century literature and culture. As a series of important articles, book chapters, and monographs by Rachel Ablow, Audrey Jaffe, Tara MacDonald, and others demonstrate, however, affect is emerging as one of the most exciting subjects in the field. This workshop aims to bring Victorian notions of affect and conte...

Ouida Study Day, 24 & 25 November, online

Ouida (Marie Louise de la Ramée, 1839-1908) was a Victorian celebrity, non-conformist, and literary enfant terrible whose life and work conformed neither to dominant literary, cultural, or gendered conventions of the nineteenth century, nor neatly affirms our present-day expectations of Victorian literature. She was an internationally read, self-supporting writer, wholly uninterested in realism or the domestic sphere and sceptical of the New Woman, even as she lived alone, condemned marriage, or wrote happy divorcées. She pioneered the aesthetic novel and the desert adventure, synthesised sensation fiction, French romance, and social satire, mastered the Italian novel, and influenced the emerging Decadent movement. Her literary networks included Robert Browning, Richard Burton, Wilkie Collins, Marie Corelli, Oscar Wilde, and Max Beerbohm, and she drew admiration from John Ruskin, Henry James, and Vernon Lee. Ouida shocked and delighted her audiences with her dandy guardsmen and happy ...